#but you don't really need to play the first game to understand it i think

[aidansplaguewind]

Hi @andreabaideas ! We don't know each other but I follow @mzannthropy and I just wanted to say I agree with everything you said about expressing one's opinions and not caring what others think of it. And yes, especially women. I'm a very opinionated woman and as a result I've been called so many awful things by men. I just don't understand why they can't handle us having a voice. I don't understand what's going on in the US right now and why men are so offended by women in power. I mean, don't get me wrong, I can explain it in ways like they're deeply insecure and their masculinity is incredibly fragile, and they're afraid women no longer need men for anything (including sex) and that, especially, terrifies them. But even knowing all of that, I still just don't understand it. So what if a woman doesn't need you, isn't it enough that one WANTS you? But I think the problem lies there. It means they actually have to TRY to get a woman to want them because the days of women having to get married to survive are mostly gone. And now they have to try to be better people, they have to try to hold an intelligent conversation, they have to try to have varied interests and hobbies etc. And frankly I think most men are lazy when you look at that way and they don't want to put forth the effort to earn our interest and desire.

Anywho...

@mzannthropy I think we discussed this before, about how when I first got into Sam earlier this year I noticed immediately that there was a lot of appreciation and attention on his roles on The Hunger Games, Daisy Jones, and ME Before You. I'm wondering though if these are, in fact, people that I would consider fairweather fans. Not used by exact definition but its the closest I can think of to describe it. It's people who only like a celebrity for like one or two roles and are more in love with the character than the actor. Usually those fans don't stick around once the fixation on said character wears off.

I admit, I'm not as huge a fan of Sam as you or @jesstasticvoyage are, because my heart will always belong to Aidan Gillen, but I do consider myself a genuine fan. I just enjoy watching Sam work. He's extremely talented, unbelievably so. I will also admit that he's a far better actor than Aidan. I can't really put into words what he brings to the screen. A passion for what he does, obviously, but more than that. He's simply fantastic. One of my favorite performances of his is Oswald Mosley in Peaky Blinders. He's despicable but Sam is such a pleasure to watch in that performance. As good looking as he is, he did so well, I still hated his guts as Oswald.

Billy Dunne is also a favorite, even though I know you have a lot of not great opinions on DJATS. I didn't read the book so I have nothing to compare it to, so I did enjoy it very much. I was just baffled at what all he did to achieve that performance. The weight loss, yes, and learning to play an instrument, learning to SING well, recording an entire album. That's dedication. And when he's on screen I 100% believe he is Billy Dunne.

I also really liked him in Their Finest. Devastated by the ending but I loved watching it. His performance in The Corrupted is notable as well because that character just seems so not like real life Sam but he pulled it off completely.

Anyway, I'm getting off my point, which was that I personally think if you only like an actor in one role, you can't really say you're a REAL fan of that actor. A fan of the character, sure, but how can one be a fan of the actor if they only like them in one thing? Or even just two things? Especially if you look at the characters in question. They're these McDreamy type characters written and cast to get the attention of young women and teenage girls. I don't want to sound like a gatekeeper but if you only like one role then you're a fan of the character.

Omg, I just made this post so long. Imma shut up now. I really do have too many opinions sometimes 😅

Sam Claflin and Holliday Grainger in ‘Any Human Heart’ (2010)  

[khan-crete]

for being 20 years old it does look pretty good

(it doesn't require knowledge of the first game and is free to own rn!!)

[jichanxo]

how it started:

how it's going:

[kumakuma-circus]

just randomly remembered that during my like 10+ attempts at the shadow yukiko fight i more or less consistently ran out of revival beads so yosuke was just dead (well unconscious but whatever) on the ground for like half the fight gfhfjvhfhfhd-

[the-physicality]

i do think, aside from mercury bias, if bg had been in all season she would have been all wnba, first or at least second. i think people undervalue her because of the rebounding but she is 1000% the worst officiated player in the league, on both sides of the court. so the fact that she's been able to have the performance that she had is incredible, and that she didn't get the acknowledgment really just underscores how much people take what she does for granted.

[holytrickster]

idk i think it's so funny I went down a survival horror game rabbit hole when a) I'm too freaking anxious for horror games I will make myself cry, b) it was all PS2 stuff which is extra funny bc I've never even played on someone else's playstation let alone had one, i was always a wii kid lol. but now my brain is like ah yes. time to consume everything I can about games I can't even play and that are stupid expensive/hard to get now

[six-improbable-things]

Spring break is next week, and holy fucking shit I'm so ready for that. I was just home the other weekend, but I'm so burnt out on school I already need another break. I have NO IDEA how I'm gonna make it through March and April without literally losing my mind.

And to make things worse, I have to somehow come up with 7 more credits next year in order to graduate, but I've already take all my required classes (I'm 99% sure), and everything else I'd want to take either had a zillion pre-reqs or overlaps with one of my classes I actually need to take.

[rawliverandgoronspice]

I have so little respect for what TotK does to the series as a whole, it's wild how my opinion just keeps on degrading with time.

And look, I'm not even that big on Videogame Lore. It's a thing that tends to annoy me, especially when it gets in the way of gameplay loops and especially themes; it can absolutely go overboard and mistake broadening ideas with deepening them to fake complexity. It's a thing a lot of videogames do and I genuinely kind of shrug at it in general.

(especially when you see how many lore decisions are made behind closed doors, and it's generally not nearly half as thought out as what fans will eventually do with them --which is cool! I think it's a cool thing worth encouraging! But in general, unless it reveals something new, I don't care about endless details that are striving to be cool rather than meaningfully coherent, which is what a lot of videogame lore is to me tbh)

I'm completely fine with a looser structure or a lack of rigid continuity, if it means we get to introduce fresh new ideas! That's partially why I adore this series, I'm always so curious about what they'll do next!

However.

(putting rest of my short rant under the cut)

Then just don't call it a sequel. Especially: don't call it a sequel and then be contemptful towards people who were invested in the continuity you used as a marketing tool to sell that game.

(and to be clear: I wasn't even one of these people. The sheikah thing doesn't bother me nearly as much as the rancid narrative decisions regarding the current game plot, the downright insulting quest design or the rampant orientalism. I have a ton of respect for BotW, but it's far from my favorite Zelda game. Yet, Still.)

I think I would have been less mad at many of the choices if they had called it a new iteration of Hyrule. I still wouldn't have liked the game, but it would have been easier to put to the side as a misstep as far as I'm concerned. Here, it tries to be a definitive expression of many of Zelda's ideas (returning to the idea of a first kingdom, the Zelink vibes, Ganondorf is back and so is a billion meaningless easter eggs, the highest grossing shadow of BotW that leads them to keep the same artstyle, the same structure even if it makes no sense in that context, the same locations even if there is virtually nothing new to discover about this Hyrule...) while also not committing to anything novel.

They speak about new concepts for each game tied to each ancient civilization, but frankly: what new concept? Sure, Ultrahand and Fuse are cool and novel tools, they are fun and I liked playing around with them, but fundamentally and structurally there is nothing different between the concept of going from shrine to shrine in Botw and then disrupting giant structures to awaken a Sage/Champion in TotK. These are not different ideas, they are the same idea with a vaguely (VAGUELY) different paintjob and a vaguely different toolset at your disposal. It's either a blueberry flavored popsickle, or a lime flavored one; it's still a popsickle.

So to disregard the shoulders you stand on and introduce frankly worse and watered-down and blander ideas of what came before, disrespecting a lot of what pushed a 30 year old dedicated fanbase through all the loops of previous titles by all clomping it together as easter eggs just to satisfy the fans because you do not understand why it was ever meaningful to them apparently; still get the marketing bling of calling it a sequel by slapping a cool gameplay loop on top, which IS cool and I don't want to disregard the content design and some of the side quests and the soundtrack and stuff I'm not saying all of it is bad --but as a cohesive project? It just doesn't work. Where's the thematic unity that *carried* this series historically up until now? The game built around the new feature instead of the other way around?

I didn't want my final opinion on this game to be: this game is microwave-reheated BotW because BotW was the highest grossing success of the entire series, refusing to integrate its flickers of originality and daring and love (like some mechanisms, some side quests, again the soundtrack, the technical achievements, the mood of the Depths, EVEN the dragon thing if I'm willing to be less gngngn about things, etc...) into a coherent whole; neglecting theme so much we can't even agree as a fanbase on whether the game tried to be about relying on each other, about sacrifice, or about some fun stew of undigested japanese conservative values; and overall putting its ambition in all of the wrong (technical + how to kill in a more fun way + eternal empty vastness) places.

But yeah. It definitively is that, and that interview really cemented some of the Nintendo leadership nihilism that I believe led to this product being the way it is.

what if i explode into a million pieces out of sheer anger

[tojigasm]

I NEED TO PLAY FIGHT WITH LOGAN BADDDD!!!!

It always starts with some smart ass comment you make – something about his hair, or some sexual innuendo regarding his claws, and if you're really daring to test him, you make a comment regarding his age.

You can't help it that he's fun to rile up, almost like a kid on a sugar high. It's all too entertaining by the time you've gotten him past the point of annoyance.

He's sat beside you on the living room couch of the mansion, legs kicked up onto the ottoman, hair tufts somewhat losing their shape from the day, and a beer in one hand.

You're surprised he's made it a point to ignore you for the most part. Only giving you hums in acknowledgment to your jibes and continuing to take small sips of his beer.

That should've been your first warning that you weren't the one in control of the situation.

But, being the obnoxious person you were, paired with your determination to get some form of a reaction of out of him, you continued on.

"Y're a brat." Logan peers at you from the side, clicking his tongue against his cheek.

You mistakenly take the comment as fuel to your tease, loftly you raise turn your head to him, "So old you can't even think of a response can you–"

A soft object hits the side of your face full force, causing your head to whip to the side, mouth agape.

You immediately bring a hand up to nurse the place you'd been hit, and in the same breath, you turn to see Logan holding back a laugh, a mishapen pillow in hand.

Neither of you speak. Only exchanging an understanding look before you're tackling him on the couch in an attempt to keep him down.

The game is always the same – never a fight of who can hurt the other into submission but rather one of exhausting the other until they're forced to give up.

Logan gives you the upper hand as he had during your torment, only leading you to think you might win only for him to push you flat on your back to the couch with one of his hands holding the both of your wrists above your head before you could blink.

"What the hell, Logan!" You squeal, forcing your legs against his chest as you try to push yourself out from under the weight of him.

"What?" His voice drips with taunt, one of his thick brows arching, clearly amused at your futile struggle."You're really gonna let yourself get beat by an old man?"

You manage to wiggle one of your hands free and jab it against his side.

Logan snorts from above you, letting your other wrist go for a second as he readjusts himself atop you.

Slipping out from under him, you try to escape before you're being pulled into Logan's lap, his arms wrapped around your middle.

You struggle to free yourself from his grasp, and in the midst, you can hear him laugh from behind you, his chest vibrating against your back.

Though you know he'll harass you for his easy win until the day you die, you wave your metaphorical white flag as you relax into his hold, allowing your head to fall back against his shoulder.

Logan dips his chin to look down at your pout, mimicking the faux expression.

"You wanna apologize yet?" His frown could be heard through his voice.

For some reason, that inspires you to provoke him again. You're not sure if it's the way he worded it; the words coming off his tongue as though he'd expected you to give up just that easily.

"Nuh-uh," you shake your head.

"Nuh-uh," Logan parrots you with a smile, exaggerating your expression and mimicking it back to you.

You go to tickle him again and am instantly met by both of your wrists being grabbed by both his hands.

You don't get very far the rest of the night, unfortunately.

[felassan]

EuroGamer: 'BioWare knew the deepest secrets of Dragon Age lore 20 years ago, and locked it away in an uber-plot doc'

Original creator David Gaider on how "some of the big mysteries are being solved".

Rest of post under a cut due to length and possible spoilers.

"As I write about the secrets hidden in Dragon Age's mysterious Fade, and as I uncover some of them playing Dragon Age: The Veilguard, one question keeps rising up in my mind. How much did BioWare know about future events when first developing the series more than 20 years ago? That's a long time, and back then BioWare didn't know there would be a second game, which is why Dragon Age: Origins has an elaborate and far-reaching epilogue. Why lay so much lore-track ahead of yourself if you don't think you'll ever get there? But look more closely at Origins and there are big clues suggesting BioWare did know about future Dragon Age events. There are obvious signs in the original game, such as establishing recurring themes like Old Gods and the Blight and Archdemons. But there's also Flemeth, Morrigan's witchy mother, who's intimately linked to events in the series now - more specifically: intimately linked to Solas. Does her existence mean Solas was known about back then too? There's only one person I can think of to answer this and it's David Gaider, the original creator of Dragon Age's world and lore. We've talked before, once in a podcast and once for a piece on the magic of fantasy maps, where we discussed the creation of Dragon Age's world. And much to my surprise, when I ask him what he and the BioWare team knew back then, he says they knew it all. "By the time we released Dragon Age: Origins, we were basically sure that it was one and done, but there was, back when we made the world, an overarching plan," he says. "The way I created the world was to seed plots in various parts of the world that could be part of a game, a single game, and then there was the overall uber-plot, which I didn't know for certain that we would ever get to but I had an understanding of how it all worked together. "A lot of that was in my head until we were starting Inquisition and the writers got a little bit impatient with my memory or lack thereof, so they pinned me down and dragged the uber-plot out of me. I'd talked about it, I'd hinted at it, but never really spelled out how it all connected, so they dragged it out of me, we put it into a master lore doc, the secret lore, which we had to hide from most of the team.""

"This uber-plot document was only viewable on a need-to-know basis, he says, and only around 20 people on the team had access to it - other senior writers mostly. And even though Gaider left the Dragon Age team after Inquisition, and then eight years ago BioWare altogether, meaning he didn't work on The Veilguard at all, he believes - by looking at the events in the new game - his uber-plot lore "has more or less held up". That's impressive. What's even more impressive, or exciting, is that back then he also envisaged a potential end state for the entire Dragon Age series - a point at which it would make no sense for the series to carry on. "I always had this dream of where it would all end, the very last plot," he says, "which I won't say because who knows, we could still end up there. But the idea that this uber-plot was this sort of biggest, finite... That the final thing you could do in this world that would break it was there as a 'maybe we would get to do that one day'... There was just the idea of certain big, world-shaking things that were seeded in that arc, some of which have already come to pass, like the return of Fen'Harel." You've read that correctly: the idea to have Fen'Harel, also known as the Dread Wolf, reappear, was seeded all the way back then, way before Inquisition - the game in which he does actually reappear. But the concept for Solas, as a character who was Fen'Harel in disguise, was a newer idea. "That spawned from a conversation I had with Patrick [Weekes] and a number of other writers," Gaider says, "as an idea of 'what if you had a villain that spent an entire game where he's actually in the party and you get to know him?' Now, the god version and his larger role in the plot, yes that was known, but not that he would be presented as a character named Solas." Fen'Harel being known about means the other elven gods were known about, which means all of that stuff Solas reveals about his godly siblings - that they're not gods at all but evil elven mages he locked away behind the Veil - was known about back then too. "Oh yeah," Gaider says. "Everything that Solas tells you [at the end of Inquisition DLC, Trespasser]: it's all part of that original uber-lore - that was all in our mind." But why have so much lore if you're not certain you'll get to ever realise it? Well, to create a believable illusion. By creating an "excess" of lore, as Gaider describes it, Origins made Thedas feel like an old and believable place. A place with history, rather than a Western set that was all facade and no substance."

"BioWare also did something canny with the lore it did relay then, too: it shared it through the voices of characters living in the world, making it inherently fallible. In doing this, Dragon Age veiled its truths behind biases. The church-like organisation of the Chantry proclaims one truth, while the elves and dwarves proclaim another. Sidenote: you can experience this yourself through different racial origin stories in Dragon Age: Origins. This way, there's no one, objective, irrefutable, truth. "To get the truth, you kind of have to pick between the lines," Gaider says. So even though elven legends are coming true through the existence of Solas and The Veilguard's antagonist gods, it doesn't mean that's the one and only truth. There's truth in what the Chantry teaches and what the dwarves say, he tells me, which ignites my curiosity intensely. BioWare has also been tricksy in how it's rubbed out the lore the further back in time you go. "In general, the further the history goes back, we always would purposefully obfuscate it more and more," Gaider says - "make it more biased and more untrue no matter who was talking, just so that the absolute truth was rarely knowable. I like that idea from a world standpoint, that the player always has to wonder and bring their own beliefs to it." It leads into a founding principle of Dragon Age, which is doubt - because without it, you can't have faith, a particularly important concept in the series. It's where the whole idea of the Chantry's Maker comes from and with it, the legend about the fabled Golden City - now the Black City - at the heart of the Fade. This is the very centre of the lore web, and, I imagine, it's close to the series endpoint Gaider imagined long ago. All secrets end there. Did Gaider know what was in the Black City when he laid down Origins' lore? That's the question - and it startles me how casually he answers this. "Oh, yeah," he says. "What was in the Black City: that's the uber-plot. I knew exactly. "Was it as detailed in the first draft of the world?" he goes on. "No. I had an idea of the early history because that's where I started making the world. So the things that were true early-early: I knew exactly what the Black City was and the idea of what the elves believed, and what humans believed vis-a-vis the Chantry - that was all settled on really early. Then I expanded the world and the uber-plot bubbled out of that.""

"Gaider shows me the original cosmology design document for Dragon Age: Origins as if to prove this - or rather for the game that would become DAO. The world was known as Peldea back then. I can't share this with you because I see it via a shared screen on a video call, and because Gaider doesn't want me to, mostly because the ideas are so old they're almost unrecognisable from what's in the series now. But I can tell you it's a document that's just over a page in length, and that there's a circular diagram at the top showing the world in the middle and the spirit realm ringed around it. And on that document is reference to the Chantry's beliefs about a God located in a citadel that can be found there. Gaider says BioWare knew about Fen'Harel (the Dread Wolf) 20 years ago when it was developing Dragon Age: Origins, and that he'd one day reappear. The Fade wasn't known as the Fade back then, either, but as the Dreaming, because it's the place people go when they dream - an idea that lives on still. And if that sounds familiar to any fans of The Sandman among you, it should. "I'd say The Sandman series was probably fairly prominently in my head," says Gaider. "I liked that amorphous geography that was born from the psyche of collective humanity. I'd say yes, if I was to point at something specifically, that's probably where the very first inspiration of it took root." It's a lot to take in, but it reinforces the admiration I have for Dragon Age. Just as I have when hearing about the creation of my other favourite fantasy worlds, such as A Song of Ice and Fire, I begin to understand the magnitude - and the deliberateness - of the plotting that went on. I wonder if one day the Dragon Age series will end in the way Gaider first imagined, albeit slightly altered by the many other pairs of hands shepherding it along now. What a curious feeling it must be to know, so many years in advance, where things might go. Where that end is, I don't know, but I do know we'll take a significant step towards it in The Veilguard. After all, we're coming into contact with gods who were there at the recorded beginning of it all. "Yeah - we have access to people who can tell us the truth from first-hand experience," Gaider says, "although again, it depends on what the writers did with it. But if they continued the tradition of Dragon Age, you never know for sure if Solas is telling you everything, or what you're learning is the entire truth. "But yes, some of the big mysteries are being solved. I mean, will they one day definitively tell you about the Maker? Will we crack the big mysteries of the world and just make them answered finally? And does that ruin one of the central precepts that Dragon Age is founded upon? Maybe," he says. "Ultimately, that lore, when you make it big and you hint at it and hint at it and hint at it, it becomes a Chekhov's Gun of sorts. Eventually you got to pony up.""

[source]

[nipuni]

Alright, time to share my opinions about Veilguard!! I have both criticism and praise so bear with me as I jump from one extreme to the other 😆 spoilers ahead of course!

The game has a very rough start with the dialogue being formulaic and rushed and the characters overexposing. It feels like a heavy handed attempt at summarizing all of previous games' lore for newcomers or in case you forgot but it's so overdone it feels coddling and trivializes a lot of previous events. Luckily this gets better once all of the introductions are out of the way, though the excessive hints and clarifications continue until the end sadly.

The locations are absolutely incredible and very diverse!! This is a highlight of the game for me. There is so much detail and care in every map and there are so many of them. My pc is struggling to reach medium settings and yet everything looks stunning. The verticality of the maps is so imposing and the graphics have a very dreamy quality that I love. I also enjoy the maze-like structure to the maps, it's more linear but makes everything look a bit more intentional. The color and light direction was amazing, all the visual development really!! it has to be one of the prettiest games I've ever played.

When I started I have to admit it did not feel like I was in Thedas and it all felt a bit theme-parky, if that makes sense. A lot of previously important and established world elements that made Thedas what it is were overlooked or made irrelevant. But the more I played the more it started to feel a bit more similar to Inquisition, for better or worse depending on what you feel about Inquisition. But!! this also feels like a selectively sanitized version of Thedas compared to previous games. In it's attempt to stay safe and uncontroversial in some aspects it loses a lot of substance and it changes the tone. The surface level politics, ignoring previously established major societal issues and a tell-don't-show approach makes the world seem more simple and shallow with no grey areas to explore. ( the humor also falls flat and out of place often too, and WHY is everyone always smirking, enough!! godlike beings are destroying the planet please this is not the time for Marvel banter aaaa )

The pacing at the start is a bit of a mess. It is so fast it felt like jumping from one world shattering discovery to the next with no time to process. The characters also seem to underreact to important information and major developments. It felt like the game was rushing me through all this to get to the part of the story it wanted to tell me while I was still wrapped in my shock blanket trying to catch my breath lmao. I really like all the key story points they touched upon, I just wish they dwelled more on them to give them more narrative weight. ( though blaming every bad thing to ever happen on the Elves was certainly..a choice )

I think the writing could have used more subtlety in the first half and more boldness in the second 😆 but I loved the thematic parallels between Rook and Solas and how every quest informs the main storyline. I do wish Rook was given more impossible choices and put in more difficult situations that forced them to lie or betray their own to better drive the point home though ( listen I just love a Trolley problem!! we need more of those, I'm the Trolley problem's number one fan!! ) I feel like they missed the chance to put Rook in Solas' role and be as vilified and hated for it as Solas was despite their best intentions which would make Rook's regrets stronger and in turn make their escape from the fade all the more impressive and give them a better understanding of Solas to either use against him or earn his respect. The line 'they called me the Dread Wolf, what will they call you when this is over' from the trailers was so good I was waiting for this!! But everyone just loves Rook no matter what!!

But I feel like I stated too many negative aspects in a row so moving on to some things I enjoyed!

The characters were very lovable to me. The romances weren't as long or impactful as I would have liked but I enjoyed all the companion quests. Emmrich is a delight and his quest is so wild and fun. I loved learning about Nevarra and I was awestruck by the Grand Necropolis. The mourn watch was so interesting, it showed a whole new side of Thedas' lore I knew nothing about! and I loved Manfred! Davrin is so charming, he became a favorite. I loved his quest too and learning more bits and pieces about the Dalish was great, I wish we got more. Seeing the Wardens through his quest also made me enjoy them a lot. Assan was very cute too and I'm glad he was treated as an animal and not turned into a goofy Disney sidekick too much lmao 😭 Lucanis is hilarious. The fantasy Spain/Italy was a bit silly and off at times but he is very sweet! and I love the Spite possession, that was so fun I'm glad they kept him that way! Bellara is adorable, her first backstory quest made me cry and I just love a nerd! I wish the second part of her story was written better however, and she sort of devolves into 'it's hard, I wish it was easy but it's hard' dialogues too often sadly. Anaris and the Forgotten Ones' portrayal was underwhelming and anticlimactic which was disappointing. Harding is also very cute and her Titan plotline was the most interesting to me, I bawled my eyes out in her quest!! I love the dwarven lore of this universe I'm so happy we got more of it!! ( she also fucking died in my playthrough?! I was devastated what the hell 😭 'whatever it takes' WEUEUGHHHG I'M SO SORRY) Neve was a slow burn for me because of my choices in game slowing that relationship down ( saving Treviso I mean, perdón amor 🙏 ) but I love detective novels and she is such a badass I ended up loving her. Taash was unexpected, I didn't think they would be so young. The coming of age story was sweet, though I found myself cringing a lot too at the handling of it I have to admit ( and the Lords of Fortune in general, and the Antaam...and que Qun..listen- kajshfgf ) but I also enjoyed learning more about the first expedition and the Qunari in general despite the messy writing and choices. I also loved Antoine and Evka! and Strife! And I haven't even read any of the novels they are in 😆 also Mila!!!! and her dad oh my god and Felassan haunting the narrative!! speaking of haunting, I would have loved for Cole to be in the lighthouse too I think it would have worked well 🤔 especially with the whole 'reading Solas' secret diary' thing the game had going on lmao

Everyone seems to get along except for a bit of friction that is quickly resolved at the start, which is hmm missed potential? I would have preferred more tension personally. I enjoy the drama! gives me more to work with and gives you a better grasp on everyone's personality by contrasting values. I think they wanted to speed run a found family trope for the new hero to establish some emotional stakes early on but it ended up making everyone seem like a group therapy session instead. The group meetings also have everyone either state the obvious or repeat the same opinion or conclusion to each other, I would have loved these meetings to have more bickering, have people get mad and storm out and also get to listen to different takes on a situation. Make Rook struggle more to take the reins and keep the team functional, learning how to be a leader.

Speaking of Rook! ( who in my case has a northern British accent that I loved so much 🥺) They seem to have a very established personality. I was expecting more of a blank slate but I'm lucky that the personality they went for kind of matches what I would normally choose in a first playthrough. Though the lack of range in the choices is irritating and takes away some replayability and role playing potential. Rook is very supportive and selfless, I wasn't expecting this tbh! But it all made my Rook turn into the team's weird supportive necromancer mom so it worked out in the end I guess lmao. I can't wait to draw her!!

I was so overwhelmed by the amount of information we got about Solas and his past!! I was expecting answers but not these many and not for them to be such an integral part of the plot!! The game feels like it's about him more than anything else. His arc is the best written out of all. He is mentioned in every conversation, he's the main advisor and the narrative foil, you get to talk to him often, you work for him and with him and go into his memories it all feels so surreal to me lmao I love him so I'm delighted ngl! but also making the other Evanuris so cartoonishly evil makes Solas into such an obvious choice of an ally, god of trickery or not, that it sort of takes the decision out of your hands and makes some dialogue options and companions' opinions seem almost nonsensical. I have no idea how this game would feel to someone who absolutely hates Solas' guts honestly. I suppose I will find out soon enough 😆

About Solas' story, I loved it! I somehow also feel that I knew it already, all the speculation and theories that Solavellan fans were crafting for years were so accurate that it was all very validating. Even the wildest ones! Solas as the Maker, the elves spirit origin, Mythal giving him a body, the war with the Titans, the origin of the Blight, Solas being on your side as advisor, I can go on, we knew!! Also I have to mention this I'm sorry but they made him look so hot!! unbelievable. And the bloodied teary eyed pathetic look in the end ouurghhh I'm cheering and clapping!!

The romance conclusion was so lovely 😭 the Loki and Sigyn ending we deserved to such a mythological epic!! and open ended enough for all of us to cook!! and we got to see him fight and transform into the Dread Wolf!! and whimper and cry!! and bleed and love!! that's all I ever wanted, incredible we were really spoiled what the hell I still can't believe it 😭 GDL acting was brilliant as usual! the visuals were also incredible and exactly what I had in mind when I imagined where the story may go, the eclipse, the giant wolf, the glowing eyes, the Elvhenan ruins, the statues, even the hair lmao it all aligned exactly to what I've been painting all these years but better I was thrilled 😭

Solas backstory with Mythal also offers players that didn't romance him a chance to see him act out of love and show a side they wouldn't be able to reach otherwise and I think it was smart! also very tragic and sheds more light into all of his choices and words and his relationship with Lavellan too and the parallels and reversals and uughh thoroughly enjoying the emotional distress 👌

Pleasing both the Solas lovers and haters at the same time was always going to be hard with him being such a polarizing character by design and the world states being so different but I think they did a good job! at least from my side of things.

I think my favorite part besides the Solas related stuff was the Blight. I loved how horrific and gross and threatening it was! I've always loved the concept of the Blights and I'm glad it was such a huge part of the story in this game. I also loved Treviso!! has to be the most beautiful city in Thedas ahhh and the Necropolis!! the gardens!! Vorgoth!!! Kal-Sharok!!! I can't believe we got to see it!! and a Titan!!! the giant floating face of Ghilan'nain in the clouds??? and the huge archdemons and dragons!! oh and that warden dragon trap in the shape of a griffon?? and the giant blight tendrils!! the siege at Weisshaupt was outstanding!! and the floating panopticon castle situation in Minrathous uughh there is so much I loved.

OH I also enjoyed the Varric arc even though I saw it coming since the trailer it was still played well and it was touching 🥺

The ending felt a bit jarring to me in tone though, a bit too cheerful considering...the horrors. Over half the continent destroyed and most of the problems Thedas had before the game are still there. Veil in place and all 😆

But I had fun!! I'm nitpicking really, the conclusion to Solas' story feels very satisfying to me which was my main worry so I'm happy. It is a good game!! with a sort of soft reboot feel to it and aimed at a younger audience which is probably what they were going for? You can sort of feel the struggle the team went through during production in the way the target audience seems unclear sadly. I also can't help feeling like this is an ending, so much was revealed and resolved!! but maybe I feel that way because that is what I felt after Shadowbringers / Endwalker in FFXIV once my favorite part of the story was wrapped? They can always pivot to a new continent and expand on the world and cultures we know almost nothing about, but that is always harder to sell so I have no clue where they will go from here 😵‍💫

Anyway I'm still processing a lot of stuff that I will probably talk (and draw) about later, this is already long enough!! for now I'll look up how to get the artbook because the art direction of this game is fantastic!! I would love to hear your thoughts too really, I'm curious about the experiences of players who made different choices and with different tastes to mine!!

[kerink]

the thing that's been most surprising to me with mouthwashing so far is how little empathy people are willing to extend to curly. and i don't mean this in a piss on the poor way, i'm deeply saddened and genuinely confused by it.

when i first played the game i was at one of the lowest points i've been at in a really long time. my mental health is bad my physical health is bad. i experienced SA a year ago and was recently diagnosed with cancer. i have 2-5 doctors appointments every week with various specialists.

all the while me and two of my doctors are talking about if i need to make a career change that's going to best support my poor health and improve my overall well being. and my family and friends struggle to understand, because i have a doctorate and a good job and live on my own. everyone looks at my life in awe, and they don't understand why i'm unhappy. they tell me so every time i try to explain it.

so when i played i immediately identified with curly. here is a man who's deeply depressed, having hallucinations, trying to reach out to his best friend for support but just has his words thrown back in his face, doesn't want to burden anya with his stuff because she has her own stuff and he wants her to lean on him, he has all these responsibilities and people look up to him and rely on him and have these ideas about him. the highest wrung of their ladder is the lowest of his, and they have no way of conceptualizing why or how he's unhappy and dissatisfied. before the reveal that he's innocent, i completely understood why he attempted suicide.

and then he develops a new disability.

when jimmy goes to crash the ship, he uses curly's unhappiness to try to convince him a murder-suicide is a good idea, and it works. it buys jimmy enough time to get to the cockpit and crash the ship. curly's too in his own head to realize what jimmy meant because jimmy distracted him with how bad his life is. it isn't until the sirens start that curly snaps out of it and it clicks for him what jimmy's done.

i'm not going to re-litigate the issue about if curly could have done more for anya because i've said pretty much all i have to say on it already.

but we really need to highlight that in addition to his lack of tangible choices, he's sleep deprived, deeply depressed, and hallucinating. this is not a man in his right mind making his best choices.

and over and over again i see people refusing to extend him any empathy, to call him a bystander. does a man who says he'll do anything to help and who wanted to be there when anya broke the news and who does his best to play liaison between anya and jimmy sound like a bystander? he let anya keep the gun case! he knew having it would help her feel better!

how good of a friend have you been when you were in your pit of despair? how much were you able to pour into others when your glass was empty?

anya wanted her and curly's support to be reciprocal. if she has enough psych training to do the evals, and having been thru nursing school, she's probably well aware that she and curly need to both be pouring into each other if either of them are going to be any good to anyone. but curly is so determined to defend and protect anya he won't confide in her, despite the fact it's running him so thin that he almost takes jimmy's bait that suicide is a good idea.

i don't think we need to absolve curly of his responsibility. i don't think we should over look his role as an enabler. i don't think we should discredit or discount analyses of his failures. but i'm so tired of people actively avoiding getting in his shoes, getting in his head, reflecting on how they've acted in the past when thinking and feeling similar ways. our worst moments don't make us monsters.

it makes me so sad. and frankly it makes me feel like all the times my family hasn't understood when i've tried to reach out. curly is screaming in agony and just like jimmy we're just trying to keep him quiet because it's too complicated to deal with.

[cho-aaacho]

Jealousy isn't really your style, is it?

Masterlist

Characters : Gojo Satoru, Geto Suguru, Nanami Kento, Fushiguro Megumi, and Choso.

Gojo Satoru

He becomes increasingly silent—too silent until you can't detect his emotion. His appetite vanished as waves of jealousy showered on his mind. You don't even notice that at first, thinking he might be tired from work.

However, as the sun goes down to the horizon and is replaced by the moonlight, his smile fades whenever your eyes meet his. He refrains from calling you endearing nicknames, skips the usual sensual morning kiss, and avoids his favorite cookies. When you suggest playing video games, Gojo simply groans and leaves you alone.

What's happening to him? Did you hurt your sweetheart? No. Until the sky falls, you don't have a heart to hurt your sweetheart.

You can't let the stillness linger; you can't leave everything unresolved. It's so hurtful, to be honest. Why would Gojo be so selfish like this? You need to find out what's going on with your little sweetheart.

That night, Gojo stood in his favorite spot within the apartment, drowning in the beautiful goldfish in the aquarium. Golden and yellow, reflected in his eyes like sunflower petals.

He gently tapped his finger on the aquarium's glass, making the whole atmosphere feel so cold. Gojo seemed unusually relaxed, in contrast to the person he once was. 

"I know I might come off as a boring and annoying man. People often say that, and I usually don't care about it at all because I understand it's not important. But when it comes from you—please... I don't want to hear that."

You do not quite understand what he means, but Gojo appears deeply hurt. His azure eyes, his words, his breath, the cologne he uses this time, the way he gazes at you—something feels off and unplaced.

This is the first time you've seen him so blue and so pained that the warmth in his lovely presence is almost undetectable. Everything is gone.

"Hey, I'm not sure if you've noticed, but it hurts me when you smile at other guys. I want you to be mine, and only mine, and no one else. Please don't do that again, because you're irreplaceable. If I lose you, I can't find another like you."

Geto Suguru 

At first, he doesn't show his jealousy because Geto is the sweetest.

However, there comes a moment when he becomes more affectionate—increased physical touch, frequent kisses, hugs, showering you with praise, texting you almost every hour.

And when he does these things, he always leaves a sarcastic comment like, "I'm a better man, aren't I?" or "Can you see how much I care about you more than anyone else?"

and "I hope you're not blind enough to understand my affection."

also "I know you're not stupid enough to leave me alone. Because I hate being a loner."

It's somewhat annoying because Geto rarely behaves like this. It's simply... so strange, leaving you confused about whether it's a prank by the twins, if something horrible has hit him, or maybe he is too much into reading a weird romantic novel.

That morning, when you are sleeping on his lap, feeling his love, warmth, and kindness, he delicately traces his fingertips across your cheeks, down to your jawline, then meanders to your nose, pinching it gently, leaving a small chuckle before circling back to playfully tease the contour of your lips.

He leaned closer, sealing a gentle kiss on the nose tip and moving before grazing your lips with a small nibble. "Did Satoru ever kiss you like this? I doubt he has done this to you."

Your eyes fluttered open, confusion etching your expression. "What do you mean, Suguru-kun?"

He sighed. "Don't think I haven't noticed, cutie. I may not match Satoru's strength, but I'm not stupid. What were you up to with him last week? You seemed quite charmed with him, didn't you?"

He added. "Should I end both of you, so he can't have you and you can't have him? But I lack the heart to harm you, sweet love. Stop talking with that man. Because I hate sharing my love with someone else."

Nanami Kento

A tough man, he doesn't even realize if jealousy is starting to invade him; perhaps you might label it as denial. 

He puts on a facade that everything is fine, brushing off any concerns by assuming them to be mere imagination or work-induced stress.

No, you didn't cheat or talk with another man. You're always a nice woman to Nanami Kento, and of course, never in your wildest dreams will you hurt your man. 

However, a weird sensation starts to trouble him the next day when his coworkers engage in silly gossip about him and you. 

Whispers float behind him, dripping with a sarcastic tone like, "How could a good woman like her date someone like Nanami-san? He's so boring."

and someone chimes in. "Yeah, I heard she dumped Gojo-san and went with him; why does she think like that?"

From that moment onward, everything feels upside down.

Each day, each time, every time he sees your face, catches your gaze, and hears your voice echoing in his ears, all of these hurt him. 

He feels like he doesn't deserve you and thinks that perhaps you can find another guy, someone special, someplace that would make you safe and happy, someone who could make you feel at home whenever you run to them. 

And that man is not me.

"I realize I might not be as caring as other men, or perhaps I come off as too boring for someone like you. Honestly, I don't wish for your kindness to be shared with anyone else—even a fleeting smile from you stirs a deep ache within me. Maybe it's an obsession, but if you allow me to share my jealousy, I don't want you to meet that guy, Gojo Satoru. For heaven's sake, I fear losing all control and ending up hurting you. I love you." 

Fushiguro Megumi

Honestly, his anger management is the worst. There are scenes when he appears calm, collected, and cute, but, again, it's merely a facade he is creating, especially in your presence. 

When the flames of jealousy shower on Megumi, flirting with his life, everything transforms into a hellish field.

He loses his temper and becomes easily offended whenever Yuuji attempts to engage in conversation with him, roasting everyone in sight. The situation continues until Maki beats him and tells him how annoying he is.

He has a terrible urge to throw punches at everyone, driven by the need to tell them that you belong to him. He needs to make it clear that you're already committed to someone else and that your heart is sealed with Fushiguro Megumi. Only with that man and no one else.

His intention is not just to show his obsession but also to dissuade others from bothering both of you. He longs to compel them to kneel, satisfying his fleeting sense of pride.

It's pretty hilarious because whenever Gojo catches wind of it, he bursts into laughter and playfully teases Megumi all day. Well, it's natural for anyone to have jealousy within them, but... doesn't Megumi take it a bit too far?

You've observed this pattern and tried to convince your dear boyfriend that everything around him is just his imagination. He shouldn't be worrying, and he just hurts himself by treating people like that.

Yet, Megumi is Megumi.

"I don't think I'm overreacting to this. When I'm upset, I express it openly. It's frustrating when people assume I'm obsessed with you—I'm not. I just don't want you to get involved with someone who isn't worth it for you. I fear you'll end up hurt. You can choose me; I can prove not only to you but to everyone that I am the one who truly deserves you."

Choso

Choso isn't typically the jealous type, but when he notices a certain closeness between you and his brothers, everything changes. 

He genuinely cares for his brothers, going to great lengths to ensure their happiness and love. He values the bond you share with his brothers and cherishes the love and affection you have for each other.

However...

It's hard for him to put it into words. Everything is stuck in his throat and sealed inside his head. 

Every time he sees you with his brothers blossoming an indescribable feeling within him, it's a burning sensation that's hard to bear. The flame is starting to burn him alive.

The way you share meals with them or laugh at their jokes—all of these irritate him to the point that they make his heart beat so fast. Choso is aware that these emotions are too complicated; he can't hate his brothers, but the heart has a way of contradicting logic. 

How could God put love in his heart?

He fondly recalls the first snow you experienced together, the gentle embrace of summer against his skin, and the golden glow of spring's sun. 

But he still wonders when he falls in love with you. Maybe since the first time he met you? Or else?

"I find immense joy in sharing my time and days with you. My brothers seem to love you as well. Everything about you is beautiful, and I cherish the moments we share. I fear losing you and our precious time; that's why I act this way when you're with them. I want to be the one you choose."

[i-love-you-just-the-same]

john price is a relatively new soccer coach. he retired a few years ago as one if the greats because of an injury. he's worked his way up from assistant to the main man in a relatively short amount of time. his first season had a rough start, but ended up with his team going to the semifinals. price is proud of the progress, but he wants more and is total workaholic. he's gruff and mean, but good at his job.

he has tons of thirst traps on tiktok that johnny occasionally shows him. loves a good pint at the end of game night, but hates coming home to his empty flat.

price is known to be a flirt to journalists and potential sponsors to get the best cut, but he never goes home with any of them. he stays away from fans and anyone who's interested. geninuely thinks he'll never have a sweet thing to come home to after his divorce, and with all the young blood around. low self confidence from his wife's infidelity and how his body has changed in retirement. imagine his surprise when he ends up pursued by you.

---

you end up meeting completely outside of soccer, to his surprise. it's one of those rare moments he gets outside the field. price is working on plays and watching film in his favorite little coffee shop when you bumble up to ask if the seat across was taken. of course price lets you sit.

you're very obviously younger than he is. he's quickly taken by your sweet little smile at him once you notice his blatant staring. quickly calms and rights himself- there's no way you don't have someone at home.

however, you two seem to fall into a routine. john finds himself coming to the coffee shop more often and sharing his table with you. he didn't realize the reprieve he needed from his seemingly 80 hour work week.

maybe it's the narcissism, but price is ready for the rug to be pulled out. at the beginning, he doesn't completely believe that you're not aware of who he is. he's convinced you're an undercover journalist for a tabloid for awhile, but after a visit or two without a page dedicated to him he's quelled his fears.

you're not obvious about wanting more than coffee, but you drop hints to him. there's a new movie you're really wanting to see, he hopes you have a good time with your girlfriends. you want to go for a walk on a new trail, be sure to carry pepper spray. ice cream is really good someplace and you want to try a new flavor, tell him if it's any good. he can see you deflate a bit everytime he refutes you, but he's saving you both from heartache. at least that's what he thinks.

---

one day, price's out with a whiny johnny, cold kyle, and tired simon. he normally wouldn't risk coming by the shop when you could be there with these beasts, but he's desperate and thinks you're busy.

it's a rude sight across the street when he sees you outside the shop with another man. he is close; too close for john's comfort. a lazy hand on your waist with your arms on his shoulders. price nearly faints when you press a sweet little kiss on the fuckers cheek. hell nah, price's face is enough to scare the most hardened war criminal.

as soon as your loverboy walks away, price forgets all about the boys. he walks over to you with a purpose, ignoring the way his heart stutters when you smile at him with flushed cheeks. the smile quickly fades when you see his murderous expression.

"oh! john! it's good to see you! i was just-"

price is in your face, huffing your air, eyes demanding an answer for your supposed infidelity. he doesn't know where this sharp pang of possessiveness has came from, but he's not sure if he wants it to leave.

" wha' you doing with that other bloke, love? this 's our spot. only me you're s'pposed to ask for ice cream, uh huh? don't like it when yur with other men"

he spits the last word, like it's acid in his mouth.

you look up at him with furrowed brows and a harsh blink.

"i don't understand, john"

"mhmm, wrong answer, dolly."

he's worked himself up into a fit now. the boys all watch as he attempts to calm himself, least he scare you.

"love, ever since you sat at that table you've been mine, uh huh? don't be throwing a fit, c'mon, you're the one who was with the other bloke"

anger blurs across your face as he speaks and he knows he's fucked up

"yeah, i can't do anything, huh? you won't do anything with me! you ignore my attempts to get to know you better, john. we share a table, for god's sake, not a house! you're the one who's snubbed me" you're fuming, but still going.

"so what if i want a normal relationship without having to wonder whether the man is actually interested in me? he wants to do things with me, john. can you blame me?"

you're a bit teary at the end, staring up at him with disappointment in your eyes. kyle, johnny, and simon have slipped inside to let you two squabble, but they're watching keenly through the the window.

"love, I-" john starts but you must not like the look on his face, as you interrupt him again

"no, john. i can't keep doing this. find me when you grow some balls of get some sense."

price is tempted to grab you and ask you to listen, but you're already gone. he's left on the pavement with three inquisitive sets of eyes staring through the glass.

---

would you guys be interested in a part 2? feel like i didn't do this idea justice, but ill link if i do another part

[seijorhi]

the idea of oikawa not being ready when he meets his soulmate.

it isn't that he thinks you're not good enough, not pretty enough, not right for him, it's just that oikawa wasn't expecting to find you so soon.

soulmates are forever, you'll be there waiting for him when all's said and done, but his career in volleyball – it won't be. he's young, fit and hungry for it; in his absolute prime, but if he doesn't put in the effort now, give it everything, 100% of what he has... it'll slip right through his fingers.

he can't risk that.

there's a strange sort of desperation that tugs at his chest when he tries to explain, to get you to understand it. it's a sacrifice you'll both be making for the sake of the career he's dreamed of his whole life.

the way your smile slowly slips away when you realise he's not asking for you to be patient and give him grace when his focus is more on volleyball than you, he's saying he can't have you around at all, because you will distract him.

he'd lose himself in you.

it's not forever, he stresses, only a little while. you're perfect, and in a year or two when he's more settled in his role, the starting setter on the right team, heading to the championships, he'll be there to give you everything you deserve. no – more. he'll make it up to you, all he's asking for (but he's not really asking, is he) is a bit of time and space.

the light dims in your eyes, a strange, glassy look taking over, and slowly, so fucking slowly, you pull your hands from his, let them fall weakly to your side. it takes a monumental effort to not snatch them back up.

'yeah, okay.'

the expression on your face is all wrong, your voice almost robotic, but oikawa knows it's the right thing. you'll forgive him, because that's what soulmates do. you'll forgive him and then fall even more in love with him and oikawa will spend every damn day showering you in the love and affection he can. he'll drown you in it.

just give him this. let him give everything to volleyball, before he shares himself with you.

—

you're a little too good at it.

it's harder than he expected, going no contact. he was the one who wanted it – needed it, really, for this to work – but there'd been a small part of him that sort of hoped you'd ignore what he wanted and reach out anyway. he'd imagined sneaking a quick peek at his phone during a water break to see a message from you, something simple, casual, a 'hope things are good!' or 'i caught some of the game last week'. was it unfair of him to want you keeping track of him? to see how far he'd come in the days, weeks, months since he'd asked for time?

it's like an itch under his skin, and it grows. a few of his new teammates have met their soulmates, carry the marks to show for it. they're all smug as fuck about it, but the thing is whenever their soulmates are watching from the stands, they play with a different kind of fire. they're better. envy burns watching them celebrate afterwards, all hungry kisses and smiles too fucking big.

he knows you'd be there too if you could. you'd be there every damn game, all of their practices too, cheering him on. his biggest fan.

it's an ache. he goes home to an empty apartment, better than the one he had when he met you, in a nicer part of town, but no less lifeless. there's no one to welcome him home, to wrap him up in a hug, kiss him how he likes and soothe away the days stresses. no one to warm his bed, no other pussy'll ever be as tempting as yours.

i miss you.

i'm thinking of you.

would it kill you to break his rules and reach out every now and then? to give him some kind of sign that this distance was driving you half as crazy as it was him?

are you trying to punish him?

it occurs to him that you probably don't have his phone number. it shouldn't have stopped you, because it wouldn't've stopped him.

—

the first time he tries to follow your instagram you block his account.

it's irritating, until he remembers that you're probably trying to abide by his rules. he can't exactly get mad at you for that, tries not to, and instead does what any sane man missing his soulmate would do; creates a fake account, steals a picture from one of his sister's friends and uses that as his profile pic – even goes so far as to follow a bunch of your friends’ accounts too, just so it doesn't look suspicious or weird when he follows you too.

and for a little while, it's enough. he can see what you're up to, who you're hanging out with, where you're going. he'll watch all your stories, your friends’ stories, just for a few seconds of you.

(maybe strokes his cock to a few of them, cums in his sheets gasping your name.)

you're being patient, he's being good, it's only for a few more months, he can last a little longer–

there's a new post on your insta, a snap of you and some asshole with his arm wrapped around your waist, your lips pressed to his cheek.

'Happy six months, love you a little more every day!'

[dontbesoweirdkira]

Okay, so, the ask about yandere platonic dick cheating and how the reader would react has me wondering; what would happen if the reader somehow found out that Dick didn't actually change and decided to go no contact, because they couldn't trust him or maybe because they just don't want to be around someone like that? Would that cause Dick to spiral more? What exactly would be the consequences of going no contact? (Like a complete cut off, although it'd be a bit hard to do that since they live in the same house)

(I was a bit disappointed to read that he probably wouldn't change, but it seemed realistic to me because habits are hard to break and everyone in the batfam is messed up. Although, I imagine after years of therapy or something similar there might be some sort of change. But, I doubt anyone in the batfam is getting therapy... except maybe reader)

Sorry yeah, i don't like to think Dick is actually a cheater or this shitty. I just like to humor different scenarios i get requested. But you cannot deny that this man is a messy whore. THIS IS THE FACE OF EVILLL

context

Look, cheaters are so sloppy. Even the ones who put the most effort into it are always bound to slip up. I imagine batsis isn't a fool. Like Richard...no way did you just go from being a serial cheater to suddenly being completely cleansed. You're an addict baby boy.

Like i said at first he's actually wanting to get clean for his baby sis and to be a good role model. I think it'd be very obvious to you that he's actually trying. He's irritable and really struggling to cope with the fact he has to put the phone down. You can see him obsessively checking his phone for what you'd assume to be a message or notification from one of his hookups. You can tell he's torn up about loosing his partners because he came clean about his unethical practices....

There's no hiding. This is such a deep seeded issue and it is really taking a toll on him. This is something like you said will need YEARS of therapy to fix.

So now Dick is trying to bullshit you a few days later...right in front of your salad! He's just sooo happy and he's proud about this new leaf turned????? Yesterday he looked like he was about to breakdown in tears because he'd been abstinent for just 48 hrs...and now he's glowing???

Dick, your patrol ended at 2 am last night...you came home at 6 am...please don't play with me rn.

not me getting heated. lol

He doesn't explicitly tell you he's back to his old ways. He's willing to keep lying his way into keeping you and this habit but it's undeniable. You know that his gf only forgave him because he lied to her too. It makes you sick when you saw the text of him telling her that he's busy with family and then left out for the rest of the day to go be with someone else.

Maybe you explode on him about it? Last time you were as nice as you could be about it but you cannot deal with the games anymore.

I liked to think in this scenario you're yelling at him and he's just still gas-lighting you, He throws every card to make you feel bad for accusing him. It absolute drives you mad. He's just so calm while you're are trying not to strangle him.

"Baby bat, i love you. I think you're just tired and are imagining things. You're convincing yourself that i'm still the old Dick because you're hurting...i understand and I forgive you. Maybe we should set up therapy sessions to help you let go of the past? Hmm?"

"YOU MOTHER FU-"

Ugh but i love him he's so fucked

The irony of him suggesting you therapy when he's the one riddles with mommy issues and the most insane coping mechanisms...

Dick isn't going to allow you to go no contact. You cannot go no contact with someone you live in the same house with. You are bound to interact and when you are dealing with someone like dick...it just won't work. The bat kids are extremely resilient and are well versed in making someone crack. You wouldn't be the exception.

More realistically you'd probably just be cold towards Dick. That's the best you can do. Not really responding to him and basically stone walling...

But i imagine this version of Dick to be much more forceful. He's done with your self righteousness. How dare you suggest moving out. That isn't an option because he needs to see his baby sister everyday. You are breaking up the family over this. You cannot cut him off because he's flawed...it's not that serious y/n. None of the other siblings are breathing down his neck. Maybe if you weren't so frustrating..he could actually become a better person. You are the one that is preventing him from being better with all your pressure!!

You packed your bags and are fully ready to walk out of this family for good because there's just too many wrong doings swept under the rug and here comes dick who is FUMING... He's trying to rip your bags out of your hands and grab you up..

You are not doing this to him. Stop being so-

Maybe your siblings step in and help you to leave. They help Dick calm down because they respect that it's your choice to live how you'd life.

Dick isn't stopping once you're gone. Especially if you're still in Gotham. There's a shadow that follows you where you go. Tons of messages and calls from unknown numbers. Even scarily enough..a blue toy bird left at your door with a small note that read

"Missed me, my little birdie? We'll be seeing each other again soon."